Melbourne’s Transit Dance is now offering exclusive production internships to those savvy students looking to develop entrepreneurial skills in dance management, after trialling the program last year with great success.
Beyond Dance Festival is calling all dance families to come down to Phillip Island and support the creative art of dance in student choreography! From 10am on 27th January 2018, performers will have the opportunity to perform their self-devised pieces, watch talented dance displays and singing acts, plus indulge in exclusive photographic packages! Adjudicators will award prizes to the lucky winners of their age group for outstanding creativity, innovation, and execution of the piece performed. Venue entry donations (starting at $10) will all be donated to the non-for-profit organisationbeyondblue.
Beyond Dance Festival is…“Dance Competition & Student Choreography Challenge, a fun holiday fundraiser event welcoming amateur dance students aged 8 – 18yrs and pre-professional student teachers to present their OWN CHOREOGRAPHY in jazz, hip-hop, lyrical, contemporary, classical, song, improvisation plus special feature sections. See updates on our Facebook page: BEYOND DANCE proudly supporting beyondblue.”To book your spot visit here.
Cowes Cultural Centre
91-97 Thompson Ave
Cowes, Phillip Island, Victoria 3922
27th January 2018
For questions about entry, please contact Deb Campbell (event organiser) on 0409 232 981.
Are you a contemporary dancer looking for your next big break? Are you wanting to be part of a dance company where you can gain performance experience and learn from industry professionals? Indefinite Dance Company is holding auditions very soon and you could be chosen!
Auditions for dancers aged 12-17 to be part of a brand new contemporary piece by Indefinite Dance Company.
Sunday October 3rd 2:00pm
Performing Arts Centre
Manuka Road, Berwick 3806
Can’t make the Sunday audition?
ADDED AUDITION TIME
Friday December 1st 7:00pm
Performing Arts Centre
Manuka Road, Berwick 3806
For further information and registration please follow the audition link: http://indefinitedance.wixsite.com/home“Indefinite Dance Company aims to offer opportunities for dancers to extend their training and further their dance knowledge. For like-minded dancers to come together and perform in full-length contemporary pieces in a company environment.”
See Indefinite Dance Company’s educational show trailer titled CONTENT.
Melbourne renowned full-time establishment Transit Dance has just announced European choreographer Israel Aloni as artistic director for a new pre-professional program aimed at bridging the gap between Australian and international contemporary dancers.
According to an ABC radio report, numbers are fluctuating dramatically in competitive ballroom dancing in recent years, particularly with young adults. Why? Could we be the blame as one faction of the dance industry by not helping to reinvigorate the sport to look more contemporary? Perhaps a sport that will always look old-fashioned no matter what strategies we put in place? Or, is our problem simply in our pricing structure?
The dance world in Australia is arguably in need of a revamp—finding modern ways to introduce more people back into the sport. DanceSport Australia is certainly not in denial about the decline in numbers. President of DanceSport Australia Dallas Williams told ABC radio, “If you have mentioned ballroom dancing to anybody today, of course, they would probably think of the grandparents did at a church hall on a Saturday night.” He suggests lowering the price of lesson costs and competition entry costs in order to revitalise the sport and bring the numbers back.
Mr Williams continued, “If you go overseas and you look at how the Europeans have approached this, they run massive events and the children get involved.” The dance realm in Europe is highly anticipated. Many children and young adults aspire to become professional ballroom dancers. Spectators in Europe never pay entry to watch a competition, which makes the sport that much more desirable. However, in Australia, our industry is far too small to mimic such a successful design.
In Australia, spectators on average pay around $50 to see a competition, and even as high as $100 in some arenas. It is simply not sustainable for the sport to survive if viewers are forking out money that is needed to pay bills, food and rent. Dancers are paying a bare minimum of $75 for a single hour lesson at some studios and the pricing escalates dramatically if the coach has a renowned profile. Professional dancers are taking up to four or five classes a week. It is no wonder the numbers are dropping—all these costs add up and who can live a life financially scraping through each week?
DanceSport Australia adjudicator Margot Stretch said the cost of living is far too high to justify spending large amounts of money on lessons and competition entry. “People should only have to pay a nominal fee to enter a competition and with their entry pay a fee for each event they wish to enter,” Ms Stretch said. “This way the promoter has the money up front and the competitors are in control of how much they spend. Maybe we need to run the major championships on a qualifying basis, so there is something to aspire to,” she added.
Matt Coulson, principal of a Melbourne dance studio disagreed with the ABC report. “I think our studios and governing bodies are doing the best they can to move with the times to make our sport fashionable. I believe the issue lies in our pricing structure and the fact our marketing strategies are ineffective.”
A dancer helping to revitalise the dancing industry is Daria Walczak; a highly skilled Latin American dancer. She believes the sport is doing all it can to look fresh, but there are too many obstacles in the way. “As an active member of the ballroom dancing community, I think our style has developed and modernised tremendously, so I feel it’s far from old-fashioned,” she said. “However I don’t think that translates to the general public because the style of dance does not get a lot of exposure, with greater focus being placed on commercial styles of dance in the media, and the cost of entry into the activity is very high,” Miss Walczak explained.
The Victorian Open Championship was cancelled in February this year due to “lack of entries” upon many other reasons. The competition attempted to focus more on the recreational events by shifting the event from its usual Queen’s birthday weekend slot to early in the year. This move, however, resulted in a significant financial loss for the DanceSport Victoria Board. The event managers wrote on the Victorian Open Championship Facebook page saying, “This decision was seen by the DSV Board as necessary due to the substantial loss that DSV would incur if we went ahead, which would ultimately be a loss carried by the DanceSport Industry within Victoria.” Part of the problem could also lie in where the competition is held. There is no need to spend the promoter’s money on lavish venues when we can downgrade and focus on building the sport to new heights.
Ms Stretch believes the sport is not seen as old-fashioned, but rather it is in need of a mix-up, marketing wise. “I think it should be promoted more as fun and fitness and getting people away from technology and actually socialising in person, not to mention keeping the obesity down across all ages,” she said.
Despite there being a very obvious problem in our dancing industry with inflated pricing for both dancers and spectators, the governing bodies need to look closely at how to strategically change both the cost to participate in ballroom dancing, the marketing associated with promoting the sport and of course reshaping the idea of ballroom to appeal to the younger masses. The Australian dance industry is far too small to allow numbers to decline—we need as many dancers as possible to represent us!
October 4th is a day of international recognition for the classical arts, famously known as World Ballet Day.
Five leading ballet companies from around the world are set to get involved in a 20-hour live stream to showcase their upcoming performances, with exclusive behind-the-scenes rehearsal footage and interviews with industry leaders.